Climate change x Coronavirus: What humanity’s current emergency means for that other one
A weekly Grist newsletter
↓  PERSPECTIVE: A walk to remember
↓  BEHIND THE STORY: This is Us
↓  CLICK FIXES The Princess Bride’s “inconceivable” remake
PERSPECTIVE
Prairie home companions

When lockdown hit, I found myself suddenly with more free time than I’d had since childhood. To fill it, I started to take walks. As soon as the weather finally became warm enough to tolerate the outdoors in Minneapolis, I would leave my parent’s house for three, sometimes four hours without my phone or wallet, walking the same route past landmarks from my childhood: through the parking lot behind my high school, across the highway overpass, past a park where I used to loiter with childhood friends. Finally I would arrive at a small nature preserve where, sandwiched between the highway and the suburban sprawl, patches of tallgrass prairie and wetland are being restored.

Access to any slice of the outdoors, no matter how small, is a privilege at any time, but felt especially precious under quarantine. Free of the usual distractions, I got the chance to really pay attention to the living things we share this land with.

Like most city dwellers, I’ve always suffered from some level of species blindness — to me, birds have always just looked like birds, and plants have always just looked like plants. I had never bothered to learn their names. But, over time, these long and meandering walks gave me a new sense of place — natural landmarks to accompany my social ones. Slowly, the prairies and wetlands, and all their patterns and languages, brought a new kind of comfort in their familiarity. There’s the beaver dam near the entrance of the preserve; nearby, I can usually spot a couple of painted turtles sunning themselves on the rocks. Further along the path, red-winged blackbirds perch territorially on switchgrass and sorghastrum. Honeybees and monarchs visit milkweed and thistle. Invisible, the chorus frogs call their daily rhythms from the marshy ponds.

It’s tempting to interpret this time in nature as a silver lining, but the truth is there’s no silver lining to be found in this pandemic. We are surrounded by preventable suffering that is hitting the most vulnerable among us the hardest, widening the injustices of an already unjust country. Day after day, in Minneapolis and beyond, we are witnessing the neglect of a government that does not care about the lives of its people, of police departments that brutalize communities of color and protestors, of an economic system that sacrifices workers at the altar of consumption.

What are we to make of this? I have no clue, but often I find myself returning to the words of Ross Gay, a poet who wrote a book of essays about a thing that delighted him every day for a year. To Gay, joy is not a privilege, but a muscle. “Joy has nothing to do with ease.” he said in a 2019 interview. “It is not at all puzzling to me that joy is possible in the midst of difficulty.” In other words, it is precisely because times are hard that joy is necessary. Joy sustains us, allows us to continue to care for one another and work for a better world, even when the unrelenting cruelty of the news resists reason and language.

Since March, I’ve left my parents house. I’ve found myself without as much time for long walks. But I’m grateful every day for the little patches of nature near my new apartment, the music of the sedge wren and the percussive woodpecker.

To me, they sound like joy.

Alexandria Herr, intern & artist

BEHIND THE STORY

This is us

We have gotten a lot of great questions from y’all since we launched this newsletter back in March. Some of our personal favorites include: When will reusable cups be allowed again? Is COVID-19 really helping to stop pollution? And, of course, Can I astrally project my way out of coronavirus lockdown? But lately, one message stopped us in our tracks: “Why doesn’t this newsletter have an ‘About Us’ section?” Or, as we chose to interpret it: Who the hell are the people writing this thing?

A thousand pardons, dear reader! In the rush to create this product, we neglected to introduce ourselves. We created this product back when many states were still mulling over how seriously to take the just formally declared pandemic. (Remember those days? How young we all were!) Our editorial team recognized right away that the impact of COVID-19 mirrored the disparities associated with our regularly scheduled programming: pollution and climate change. So we pivoted our coverage -- including launching this newsletter to examine the intersection between the two crises.

It took work — a lot of work. As a colleague said at the time, “In less than four business days, we took the nugget of an idea for a newsletter, fleshed it out, created the logo, designed the template, started promotion, wrote and compiled valuable content, strategically segmented our audience (starting from 0), edited everything down, stress-tested it more than once, and got it out the door. Whew!”

Then and now, this newsletter has been a team effort. You’ve heard from our staff writers, interns, fellows, editors, product and art team members, data journalists — and a couple special guests. As with the pandemic and climate change, we are all in this together. And we’re glad you’re with us, too.

— Grist Staff

Got a question about what coronavirus means for climate change? Ask us!
CLICK FIXES

Weekend viewing

The newest streaming service Quibi launched in April with a mobile-centric interface. It was intended to target the TikTok generation that consumes media directly on their phones, usually shot vertically, but the company has struggled to find its footing. Nevertheless, Quibi has provided some entertaining and, most importantly, mostly free content, like a star-studded home movie remake of The Princess Bride featuring celebs such as Jack Black, Diego Luna, Tiffany Haddish, and Hugh Jackman. Watch the series here.

Myrka Moreno, senior social media engagement fellow